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The document discusses the debate between those who defend ancient Greek and Roman playwrights and those who defend modern English playwrights. It outlines the three classical unities that ancient playwrights followed - unity of time, place, and action - and how modern English plays often violate these unities, covering long periods of time, multiple locations, and containing sub-plots. The document argues that the ancients were superior because their plays had a single, complete action, unlike many modern English plays.
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![two types of “bad”english poets “perpetually pay us with clenches upon words and a certain clownish kind of raillery”. “affects plainness to cover his wants of imagination”. “limit their dispute”. “ancients were superior to the moderns”. Terms - just and liveiy,image,human nature ,[object Object]](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)
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The document summarizes John Dryden's essay on dramatic poetry. It discusses the debate between characters in the essay about whether ancient or modern dramatists were superior. Crites defends the ancients' focus on a single, complete action within the boundaries of time, place and language. Eugenius argues the moderns capture liveliness of language. Neander says the goal should be a lively imitation of nature through contrasts that enhance each other. While Crites prefers rhyme in tragedy, Neander suggests comedy is better without rhyme.
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- Godot in particular examines themes of meaningless, nothingness, isolation, and the futility of human existence through Vladimir and Estragon's endless waiting for
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- The endings also differ, with the book having Gulliver choose exile while the
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This document compares William Shakespeare and Ben Jonson. It discusses how Shakespeare was a romantic who broke rules and portrayed passions, while Jonson was a classicist who followed tradition. Dryden preferred the moderns like Shakespeare over the ancients. While he admired Jonson for being more structurally correct, he believed Shakespeare was the greatest wit and the father of English dramatic poetry, compared to Jonson being more like Virgil with elaborate writing. In the end, Dryden said "I admire him (Jonson), but I love Shakespeare."
Paper 3 Literary Theory & Criticism
This document summarizes John Dryden's essay "An Essay of Dramatic Poesy" from 1667. In the essay, Dryden discusses the relative merits of ancient Greek and Latin drama, contemporary French neoclassical drama, and English drama from the time of Shakespeare. One of the characters in the essay, Eugenius, argues that modern drama is superior to ancient drama. The document provides background on Dryden and his essay, and was presented as part of a university course on literary theory and criticism.
Dryden's Comparative Criticism of Ben Jonson
This document discusses John Dryden's comparative criticism of Ben Jonson. It provides background on Dryden as a prominent 17th century English poet and critic. It outlines Dryden's views on neoclassical literature theory as presented in his work An Essay on Dramatic Poesy. The document also summarizes Dryden's high praise and admiration for Jonson, seeing him as the most learned writer for the theater. While Dryden notes Jonson's preference for representing mechanic people and tendency to "Romanize" English, he ultimately viewed Jonson as a masterful playwright who popularized comedy of humors.
drama-111010050046-phpapp01.pptx
ONE OF THE GREATEST THINGS DRAMA CAN DO, AT ITS BEST, IS TO REDEFINE THE WORDS WE USE EVERY DAY SUCH AS LOVE, HOME, FAMILY, LOYALTY AND ENVY. TRAGEDY NEED NOT BE A DOWNER.
Drama
Drama is a story enacted on stage for a live audience. The key elements of drama include structure/plot, conflict, theme, setting, characters, and an audience. Drama originated in ancient Greece and was performed to honor Dionysus. It has evolved over time but still involves characters facing conflicts that build to a climax and resolution. Modern drama explores personal themes through various structures and techniques. Well-known playwrights have contributed famous works to different drama genres like tragedy and comedy. Performing drama involves bringing the written play to life through actors on a stage set designed with props, costumes, lighting, and more.
Drama
Drama is a story enacted on stage for a live audience. The key elements of drama include structure/plot, conflict, theme, setting, characters, and an audience. Drama originated in ancient Greece and was performed to honor Dionysus. It has evolved over time but still involves characters facing conflicts that build to a climax and resolution. Modern drama experiments with unconventional structures and focuses on ordinary people and personal issues. Philippine drama has roots in ethnic rituals and was influenced by Spanish and American colonization. It is an important part of exploring and expressing Philippine identity and culture.
Preface to shakespear
Samuel Johnson wrote the preface to Shakespeare's plays in which he analyzed Shakespeare's style and characters. Johnson acknowledged Shakespeare's genius but also discussed three main faults: immoral plots, disregarding time and place unities, and loose plots. Johnson argued that critics should judge works based on their merits rather than following outdated conventions. He believed Shakespeare followed the unity of action but intentionally disregarded the unities of time and place, which was acceptable for history plays depicting events over long periods. Overall, Johnson provided a balanced analysis of Shakespeare's strengths and weaknesses through a classic critical lens.
John Dryden as a critic
John Dryden was an influential English poet, playwright and critic in the 17th century. As a critic, he wrote An Essay of Dramatic Poesy in 1668 to discuss issues in English drama. In the essay, Dryden argues through a dialogue between four characters with different positions on topics like the ancients vs moderns, the unities, French vs English drama, and the appropriateness of rhyme in plays. Though he favors modern English plays, Dryden does not disparage the ancients. He also favors English drama over French drama and compares Shakespeare favorably to Jonson.
Ancient V/S Modern controversy
This document summarizes a debate between Eugenius and Crites on the relative merits of ancient versus modern poetry and drama. Crites argues that the ancients better followed rules of unity of time, place and action, while Eugenius contends that moderns have learned from but also improved upon the ancients, such as by dividing plays into acts and scenes. While they disagree on which era is superior, both acknowledge that values and customs have changed over time.
Paper: 3 Literary Theory & Criticism
John Dryden was an influential English poet, literary critic, translator and playwright. He was born in 1631 in England and had a prolific writing career before passing away in 1700. He published his first major poem in 1657 and went on to write numerous plays, poems and literary works that helped establish the heroic couplet and neoclassical literary theories. As the first Poet Laureate of England, Dryden had a significant impact through his writings and criticism on English literature and drama.
Literary theory and Criticism
This document discusses John Dryden's views on the three unities of time, place, and action in drama. It summarizes that Dryden preferred the more varied English drama over rigid French tragedies. While French plays strictly followed the three unities, Dryden believed this led to absurdities and a lack of variety. He argued that disregarding the unities allowed English plays to provide a more just and lively depiction of human nature. The document concludes that if violating the unities better serves the ends of drama, there is no harm in doing so, and that Shakespeare's plays which ignored the unities were more just and lively.
Greek Tragedy & Chorus
Greek tragedies followed certain conventions:
They were performed in large outdoor theaters holding thousands, with no microphones or scene changes. The chorus commented on the action through songs between dramatic episodes, helping establish mood and interpret events. Plays focused on a single storyline over a short period in a single location, with the chorus representing community thoughts.
Theatre of Absurd by Nidhi Dave
This document provides an overview of the Theatre of the Absurd. It defines the term as a form of theater that emerged in the 1950s-1960s depicting the absurdity of human existence in a meaningless universe. Key characteristics included questioning existence, distrusting language, and featuring illogical plots and dialog. Examples of plays in this style included works by Samuel Beckett, Eugene Ionesco, and Harold Pinter. The document also discusses characteristics like vague settings, meaningless communication between characters, and highlighting the purposelessness of human life.
S2 lit esquema de contenidos nodales - dic 2017
This document outlines the curriculum for a 2nd year Literature course at Colegio Las Cumbres. It includes the following key points:
- The course will cover various texts including the play "A View from the Bridge" by Arthur Miller, short stories by Saki and Luisa Valenzuela, and poems from different historical periods.
- Students will learn literary terms and concepts for analyzing drama, prose, and poetry and will practice argumentative essay writing.
- The course is divided into three trimesters, with the first focusing on drama, the second on prose, and the third exploring connections between poetry and songs.
- By the end of the course, students will have strengthened their
'Of Dramatick Poesie, An Essay' - John Dryden(1631-1700)
Dryden wrote an essay in defense of French plays. In it, he favors both ancient and modern theater. He defends the use of plays and debates the merits of French and English drama. While acknowledging strengths of French plays, he argues they are too small in scope and that English plays more fully depict human nature.
Similar to Presentation1 john dryden (20)
'Of Dramatick Poesie, An Essay' - John Dryden(1631-1700)
'Of Dramatick Poesie, An Essay' - John Dryden(1631-1700)
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Presentation1 john dryden
- 1. JOHN DRYDEN An Essay Of Dramatic Poetry -John Dryden -Brief Summary
- 3. Changes of fortune, subject
- 5. English plays-long periods of time
- 8. The english
- 12. The english
- 14. Destroy the unity of the action
- 16. Crites uses benjohnson (father ben)
- 17. Ancients “in all things”